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General12 September 2026

Sri Lanka gets UNFPA relief supplies for disaster response

The United Nations Population Fund (UNFPA) has donated a consignment of emergency humanitarian relief supplies valued at 250,641 US dollars to Sri Lanka to enhance the country's disaster preparedness.The Ministry of Health stated that the financial support for the consignment was provided by the governments of Australia and New Zealand.The initiative aims to strengthen the prompt delivery of essential health, hygiene, and protection facilities to vulnerable groups, particularly women, young girls, pregnant mothers, and the elderly, during disaster situations.The consignment includes eight high-efficiency tents, three of which are equipped with solar-powered lighting systems. Additionally, the donation comprises 999 field transit kits for Family Health Workers, 1,283 kits for pregnant mothers, and 246 kits for senior citizens.The Ministry of Health further noted that the aid package contains 1,659 specialized dignity kits to meet the hygiene needs of women and girls during emergencies.

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Sri Lanka gets UNFPA relief supplies for disaster response
General12 September 2026

Wildfire breaks out in Kuragala forest reserve

A sudden wildfire has broken out in the Kuragala forest reserve.Local residents and police officers are currently working together to contain the blaze and prevent it from spreading to surrounding areas.Police suspect that the fire was triggered by the prevailing dry weather conditions in the region.

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Wildfire breaks out in Kuragala forest reserve
General12 September 2026

Sri Lanka tourist arrivals top 1.56 million

Sri Lanka has welcomed 1,567,007 tourists so far this year, according to the latest figures.The Sri Lanka Tourism Development Authority stated that 31,885 tourists arrived in the country within the first six days of this month alone.India emerged as the primary source market during this period, generating the highest number of arrivals at 9,894.

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Sri Lanka tourist arrivals top 1.56 million
General12 September 2026

Shiran Basik's father remanded until 25th

The Colombo Chief Magistrate's Court ordered the father of drug trafficker Shiran Basik, who was arrested on money laundering charges, to be remanded until the 25th of this month.

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Shiran Basik's father remanded until 25th
General12 September 2026

Masterminds behind Dehiwala, Mount Lavinia crimes identified

Masterminds committing crimes in Dehiwala - Mount Lavinia and surrounding areas are currently identified, Senior Deputy Inspector General of Police Western Province Sanjeewa Medawatte says.Speaking to the media following a programme held in the Moratuwa area today (11), he stated that measures are being taken to quickly bring back to the island those groups who have currently fled to foreign countries.Yesterday early morning, a hand grenade attack was launched on a house in the Sirisangabo Road area in Kawdana, Dehiwala, where two students died inside the house itself.Their father sustained injuries to his legs in the attack.Initial investigations revealed the injured person’s brother is connected to the drug network of an individual named Badowita Asanka.Accordingly, police suspect this hand grenade attack may have been carried out on the instructions of an alleged organised criminal and drug trafficker named Kos Malli.Facts revealed the grenade was planned to be targeted at the house of the individual connected to the racket, but because that house had been changed, the hand grenade attack was launched on the nearby house of his brother.Reports also state the injured individual has no criminal charges against him.

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Masterminds behind Dehiwala, Mount Lavinia crimes identified
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No plans for Ireland Six Nations game in US - IRFU

No plans for Ireland Six Nations game in US - IRFU

There are "currently no plans or discussions" relating to Ireland playing a Six Nations match in the United States, the Irish Rugby Football Union (IRFU) says.World Rugby's chief executive Alan Gilpin said on Wednesday that it would help any nation that wants to switch a Six Nations match to the US, as it continues its drive to spread the game stateside.He used the example of Ireland v Italy as a game that would resonate with expatriate fans in the United States and could help the sport further establish itself there.But, in a statement issued on Friday, the IRFU dismissed the idea that it was considering moving any fixtures to the US."The United States is an important growth market for rugby and we welcome and embrace initiatives that help introduce the sport to new audiences and, crucially, generate new revenues for the game," said an IRFU spokesperson."There are currently no plans or discussions, from an IRFU perspective, regarding Six Nations matches being played in the United States."We believe the Six Nations holds a special place for supporters across all participating unions, and the opportunity for fans in Ireland and Italy to support their teams at home remains a central part of the competition's appeal."Italy, who play their home Six Nations fixtures at Rome's 70,000-seater Stadio Olimpico, also distanced themselves from the possibility of taking a game across the Atlantic."The United States has all the potential to be a major market for the growth of our sport: in this respect, Italy was ahead of its time by playing a test match against Ireland in Chicago back in 2018," said a spokesman for the Italian Rugby Federation (FIR)."An event like the one between South Africa and the All Blacks - one of the greatest rivalries on the international calendar - can serve as an exciting preview of the upcoming Men's and Women's Rugby World Cups in 2031 and 2033."At present, however, there are no discussions between FIR and other stakeholders on the possibility of a Six Nations test taking place in the US."In an interview with the Daily Telegraph, external and The Times, external, Gilpin said: "This isn't a live discussion of an Italy v Ireland game, but why we use that as an example is because you've got two fantastic fanbases in the US of Irish and Italian fans."If you could take a Six Nations game to the right place, to a Boston or to a New York, where there's a lot of those fanbases, you can definitely drive the economics."Now, you're going to have Irish fans and Italian fans in those respective home countries saying: 'Hang on a minute, you know, we want to see our country play?'"The counter-argument to that [is] it's still Irish and Italian fans getting the chance to watch their team, so they're just not the ones who live in Ireland and Italy on this occasion. But that's a balancing piece we've got to work through."Ireland have previously enjoyed two well-attended games in the US against New Zealand.They memorably beat the All Blacks for the first time when the teams met in front of a capacity 60,000-strong crowd at Chicago's Soldier Field in 2016, with a 2025 rematch which they lost also proving a similar commercial success. - BBC

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Switch Six Nations fixture to USA to grow game – World Rugby

Switch Six Nations fixture to USA to grow game – World Rugby

World Rugby would help any nation which wants to switch a Six Nations match to the United States, as it continues its drive to spread the game stateside.South Africa and New Zealand have sold out the 71,000-capacity M&T Bank Stadium in Baltimore for Saturday's fourth and final Test in their Greatest Rivalry series.With the men's and women's Rugby World Cups being held in the United States in 2031 and 2033 respectively, tournament organisers are keen to bring more prestige fixtures across the Atlantic."In terms of the match-day economics, [South Africa vs New Zealand] is like a Six Nations match," Alan Gilpin, World Rugby chief executive, said in an interview with the Daily Telegraph, external and The Times., external"It starts to show that [financial return] is not the barrier. So if there is the appetite to take some of these big matches in the future to the US, we can now."The All Blacks have been at the forefront of rugby's attempts to make an imprint in a notoriously tough sports market.Ireland memorably beat the All Blacks for the first time when the teams met in front of a capacity 60,000-strong crowd at Chicago's Soldier Field in 2016, with a 2025 rematch proving a similar commercial success.New Zealand have also staged matches against the United States - a 104-14 victory in front of about 40,000 fans in Washington, external - and Fiji - a 47-5 win before 33,217 in San Diego - in the country over the past decade.However Gilpin believes that the history of the Six Nations and its ability to connect with expatriate fans in the United States could be a useful tool to crack America further."This isn't a live discussion of an Italy vs Ireland game, but why we use that as an example is because you've got two fantastic fanbases in the US of Irish and Italian fans," he added."If you could take a Six Nations game to the right place, to a Boston or to a New York, where there's a lot of those fanbases, you can definitely drive the economics."Now, you're going to have Irish fans and Italian fans in those respective home countries saying, 'Hang on a minute, you know, we want to see our country play?'"The counter-argument to that [is] it's still Irish and Italian fans getting the chance to watch their team, so they're just not the ones who live in Ireland and Italy on this occasion. But that's a balancing piece we've got to work through."Wales played their home matches at London's Wembley Stadium during the 1998 and 1999 Six Nations while the Principality Stadium was being built, but such a long-haul venue switch would be unprecedented in the tournament's 143-year history.England women's head coach John Mitchell, who led the United States' men's team earlier in his career, said he was unsure whether a stateside expansion would ultimately succeed."I've worked for America. I understand that geography," he told BBC Radio 5 Live."American sport is full of rivalries and I just don't think Americans adjust to new rivalries or new franchises compared to probably some of the other countries."Will rugby ever go big there based on its early investment?"I'm not sure I can answer that, but what I do know is that rugby union is a difficult challenge for large parts of America."He was also wary of the prospect of a Red Roses Six Nations match being staged in the United States."The visibility's huge here in the European market," said Mitchell."Let's use it because that's the way to grow the game slowly, rather than putting huge investments into something that might have potential, but not necessarily that visibility."While World Rugby could support a stateside Six Nations game, the decision would lie with the competing teams, all of whom would be aware of the consternation that would come with transplanting a fixture thousands of miles away.The schedule for the 2027 editions of both the men's and women's tournaments have already been set. - BBC

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South Africa vs New Zealand: Rassie Erasmus urges Springboks to risk more as All Blacks series finale looms in Baltimore

South Africa vs New Zealand: Rassie Erasmus urges Springboks to risk more as All Blacks series finale looms in Baltimore

After a flat beginning, South Africa finally spread their wings in the Test series against New Zealand in Tests two and three, and head coach Rassie Erasmus wants his side to fly high in the finale on US soil.The Springboks, from 1-0 down, seek to win the series 3-1 on Saturday at the home of the NFL's Baltimore Ravens, while the All Blacks are hoping to square the first traditional series between them in 30 years.South Africa scored one try in the first Test which they lost, three tries in the second Test which they won, and four in last weekend's third Test where they were at their most expansive yet.Their traditional set-piece strength was decisive - a penalty try from a pushover scrum and a lineout maul that marched New Zealand back to its posts - but the forwards' fearsome power was complemented by two well-taken backline tries."Damian [de Allende] was good on Saturday, Jesse [Kriel] was very good, Ethan [Hooker] did well, so the guys are getting better," Erasmus said on Monday at the team announcement.Erasmus believed they might have put too much focus in the first Test on stopping New Zealand and not taking more risks in a game they controlled for the first hour at Ellis Park."At the end of the day you just need to outscore your opposition," Erasmus said. "If it means they score four tries and you kick five drop-goals like Jannie de Beer at the 1999 World Cup against England, you just need to score more points than them."To try and contain them is extremely difficult - just ask our franchises and France."Erasmus has made two changes to the side which beat New Zealand 29-24 last Saturday for this weekend's fourth Test.Damian Willemse returns to full-back for the injured Cheslin Kolbe, and scrum-half Morné van den Berg was given his first start in the series, dropping Cobus Reinach to the bench.The forward pack remains the same.Yet, that may not be the end of things as since first Test defeat, Erasmus has played fast and loose in terms of making late changes to his team selections.Before the second Test, named in the front row for the Springboks were Ox Nche, Malcolm Marx and Wilco Louw. Just one hour before kick-off, that was changed to Gerhard Steenekamp, Deon Fourie and Thomas du Toit with the original three dropping to the bench."We feel that the team is well settled and all the players delivered in their respective roles in the last two matches, so we believe selecting the same matchday squad, and naming Damian back in his regular position makes sense," Erasmus said.Kolbe broke his jaw making a tackle. He covered for Willemse, who suffered a hamstring problem in the second Test."It's good to have [Willemse] back," Erasmus said. "He knows the guys around him very well, so it will simply be a matter of him picking up where he left off before last week."As for the No 9 jersey, Erasmus rewarded Van den Berg for "a fantastic impact" off the bench.For New Zealand, the headline team news is the return of Richie Mo'unga at fly-half in what will be his first Test appearance since the 2023 Rugby World Cup final, having moved to play club rugby in Japan in the intervening years. Ruben Love drops out of the matchday 23 altogether.Further changes were guaranteed after series-ending injuries to captain and No 8 Ardie Savea (shoulder), flanker Luke Jacobson (elbow) and centre Quinn Tupaea (knee). Lock Fabian Holland is also unavailable due to illness.Hooker Codie Taylor comes in from the cold to captain the side, while prop Fletcher Newell, lock Patrick Tuipulotu, back-row Ethan Blackadder and centre Anton Lienert-Brown come in for their first starts of the series. Beauden Barrett and Rieko Ioane return to the bench."We always planned for there to be a number of changes for this match. Every player here has worked incredibly hard over the last seven weeks to prepare the team for the seven games we've played so far, and all those selected for this Test fully deserve it," head coach Dave Rennie said."We have everything to play for on Saturday. It is our chance to draw the series and end the tour with a performance to be proud of."South Africa team for fourth Test:15 Damian Willemse, 14 Kurt-Lee Arendse, 13 Jesse Kriel, 12 Damian de Allende, 11 Ethan Hooker, 10 Sacha Feinberg-Mngomezulu, 9 Morné van den Berg; 1 Ox Nché, 2 Malcolm Marx, 3 Wilco Louw, 4 Eben Etzebeth, 5 Ruan Nortjé, 6 Siya Kolisi (c), 7 Pieter-Steph du Toit, 8 Jasper Wiese.Replacements: 16 Deon Fourie, 17 Gerhard Steenekamp, 18 Thomas du Toit, 19 Lood de Jager, 20 André Esterhuizen, 21 Cameron Hanekom, 22 Cobus Reinach, 23 Manie Libbok.All Blacks team for fourth Test:15 Damian McKenzie, 14 Will Jordan, 13 Anton Lienert-Brown, 12 Jordie Barrett, 11 Josh Moorby, 10 Richie Mo'unga, 9 Cam Roigard; 1 Ethan de Groot, 2 Codie Taylor (c), 3 Fletcher Newell, 4 Patrick Tuipulotu, 5 Sam Darry, 6 Tupou Vaa'i, 7 Ethan Blackadder, 8 Peter Lakai.Replacements: 16 Asafo Aumua, 17 Xavier Numia, 18 Tyrel Lomax, 19 Josh Lord, 20 Wallace Sititi, 21 Kyle Preston, 22 Rieko Ioane, 23 Beauden Barrett.- Skysports

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Five things Donald Trump can learn from Rassie Erasmus as US President says he’s a great leader while Springboks boss demonstrates it

Five things Donald Trump can learn from Rassie Erasmus as US President says he’s a great leader while Springboks boss demonstrates it

The Springboks play the All Blacks in Baltimore on Saturday, 40 miles up the road from a White House that’s spent the best part of two years telling the world South Africa is falling apart.Rassie Erasmus arrives with his 100th Test at the Springbok helm, two World Cups and a squad that looks like the country, and there’s a short course in there for a President who spent Wednesday night promising every adult citizen $5,000 if his party wins in November.The Springboks arrived in Maryland at two o’clock on Monday morning to a welcome party of expats with flags, vuvuzelas and a Shosholoza loud enough to make the place sound like OR Tambo, whilst the number of All Blacks supporters who’d bothered to set an alarm came to precisely none.By Thursday the squad were guests at the embassy in Washington, and on Saturday evening M&T Bank Stadium will stage the first Test between these two countries on American soil, with South Africa 2-1 up in the series and Erasmus reaching his 100th Test at the Springbok helm since he took over in 2018.It’s a curious place to be so warmly received, given that the President boycotted last November’s G20 summit in Johannesburg, announced on social media that South Africa would “NOT be receiving an invitation” to this year’s summit in Miami, and in May raised the refugee cap by 10,000 places for white South Africans on the strength of an emergency that Pretoria says doesn’t exist.The comparison that sells Rassie shortMy Planet Rugby colleague Danny Stephens wrote last week that Erasmus had become almost Trump-ish, and he made the case well: the throwaway soundbite that starts a fortnight’s row, the endless testing of how far the laws will stretch, the knack of bending any narrative to his own purposes.Anyone who wants to find for the prosecution has a record to work with, too, from the 62-minute video about Nic Berry’s refereeing to the posts about Wayne Barnes in 2022, both of which ended in bans.I think the label does Erasmus a disservice, though, and the best evidence is sitting in Danny’s own column, which noted that whilst Erasmus was making every headline about himself, from the team announcement to the expletives in the press room, his players barely said a word in public and went back into the laager before the next Test.Erasmus draws the fire so his squad doesn’t have to, and the storms he starts are fought on behalf of 30-odd men in green jerseys, but the noise that comes out of the White House tends to have one beneficiary, and he’s generally the man making it.The laws point cuts the same way, because everything from the 7-1 bench to the front-row changes timed to the weather sits inside World Rugby’s regulations, and when Erasmus did step outside them he served the bans. Underneath the noise, he’s spent eight years doing a set of things the man down the road in Washington has shown very little appetite for.Hire the best, even when they belong to the other lotWhen Jacques Nienaber and Felix Jones left after the 2023 World Cup, Erasmus rebuilt his coaching team with an Irishman, Jerry Flannery, running the defence, and a former All Blacks fly-half, Tony Brown, running the attack. Handing a New Zealander the keys to the Springbok backline would once have been grounds for a public inquiry in Bloemfontein, and it’s worked, with the Boks attacking better than at any point in the Erasmus era.In June, Brown signed to join the All Blacks’ staff from 2028, and Erasmus’s response was to say he’d known from the start that Brown wanted to go home eventually, to defend the decision in public and to mention that replacements were already lined up. Departures from Donald Trump’s service have tended to be marked differently: a former secretary of state became “dumb as a rock”, a former national security adviser became “a dope”, and a former defence secretary was upgraded to the world’s most overrated general.Embrace the press, and earn its respectErasmus has made a habit of naming his matchday 23 early in the week, and he gives the press room more to write about than any coach in the sport.Plenty of journalists can’t stand him, and one New Zealand pundit accused him of a God complex during this series, but they know he’ll turn up, answer the question and own it when he’s wrong. After Cape Town, he met Dave Rennie’s complaint about the Springbok scrum with a volley of expletives in a media briefing, and after Soweto he apologised for a “not well-mannered outburst” and called Rennie a gentleman, which is how you get respected by people who’d happily see you lose.The President’s approach has been three-fold: to mislead, to ban, to sue. Mostly on the basis that modern media algorithms reward the loudest over the most accurate. He’s after the New York Times for $15 billion and the BBC for $10 billion over a Panorama edit of his January 6 speech, and last month his lawyers won an emergency stay against a court deadline to hand the BBC the financial records of his business empire. The Associated Press was cut out of the White House press pool for sticking with the Gulf of Mexico, and a fortnight ago he said he’d report NBC’s Kristen Welker to the broadcast regulator for calling his endorsement record in the primaries mixed.Embrace multiculturalismIn 2018, a few months into the job, Erasmus made Siya Kolisi the first Black Test captain in the Springboks’ history, and 18 months later Kolisi lifted the Webb Ellis Cup in Yokohama, in a final in which Makazole Mapimpi scored the first try South Africa had ever managed on that stage; four years later they did it again in Paris.The side that runs out in Baltimore will look more like the country it represents than any Springbok generation before it, and the ambassador who hosted them this week, Roelf Meyer, was the National Party’s chief negotiator at the talks that ended apartheid; the man across the table from him is now the President.After the 2019 final, Erasmus made the point that pressure, in South Africa, means having no job, or having a close relative murdered, and that rugby’s job was to give people hope. Washington’s response to the same country has been to set the lowest refugee cap in American history, 7,500 places allocated primarily to Afrikaners, and then to raise it to 17,500 in May whilst the programme stays shut to almost everybody else. Pretoria denies that Afrikaners are persecuted, and the claims of a white genocide have never been substantiated by independent data.Turn up, and agree the rules before you doSA Rugby could have taken the fourth Test to Croke Park, which was on the list, and nobody would have blamed them. They took advice from Pretoria and came anyway, with the 2031 World Cup coming to America, and they’ve brought 650 of the Braai Army with them. Before anybody got on a plane, the two unions had agreed that a 2-2 series would mean a shared trophy, so the only argument left for Saturday is the one on the pitch.The United States didn’t attend the G20 in Johannesburg, the first one held in Africa, and the President then accused South Africa of refusing to hand the presidency over to a senior American; Pretoria’s answer was that it had handed the instruments to an embassy official, according to protocol, because the Americans hadn’t come. Two countries who’ve spent more than a century knocking lumps out of each other on a rugby field managed to settle the closing ceremony in advance.Deliver before you promiseErasmus took over a side that had lost 57-0 to the All Blacks in Albany six months earlier, and eight years on the Boks have won two World Cups and seven of their last nine Tests against New Zealand.He used 71 players in the first phase of this season, so youngsters such as Riley Norton and Esethu Mnebelele have been blooded alongside the double world champions, and when SA Rugby extended his contract last December he said he’d carry on “as long as the South African public wants me”.The President, with an approval rating in the 30s, has taken a different route to keeping the public onside. At the first Republican midterm convention in Dallas on Wednesday night, he promised every adult American citizen a $5,000 cheque, to be called the Trump dividend, on condition that the Republicans hold the House and the Senate in November.It would cost around $1.2 trillion, which a Tax Foundation economist reckons would swallow almost all the revenue his tariffs are projected to raise over a decade, and it would need Congress to pass it, which raises the question of why a party that already holds the White House, the House and the Senate has to win again before anybody can post the cheques.It is the third promised Trump dividend. The DOGE dividend of February 2025 was going to come out of $2 trillion of spending cuts and never arrived; the $2,000 tariff dividend promised last November went the same way, and the only one to reach anybody so far is the $1,776 paid to the armed forces in December. A government ethics expert has compared the latest to George McGovern’s 1972 promise of $1,000 a year to every American, which voters saw through on their way to handing Richard Nixon one of the biggest landslides in the country’s history.Erasmus’s contract runs until after the 2031 World Cup, which will be played in the United States, two years after the end of the current President’s second term. The simple difference is Donald Trump tells the world (and himself) he’s a great leader from dawn until dusk; Rassie Erasmus demonstrates he’s a great leader through outcome and deed precisely when it’s needed. - Planet Rugby

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Mbappe eyes Ballon d’Or despite trophyless season

Mbappe eyes Ballon d’Or despite trophyless season

Kylian Mbappe said he still believed ​he was worthy of the Ballon d'Or award despite failing to win any silverware with Real ‌Madrid during the season, while France's World Cup campaign ended with a semi-final defeat by Spain.In an interview with France Football, the 27-year-old hailed new France coach Zinedine Zidane and said he believed his performances merited recognition as the world's best player."I believe I can win ​it this year. It’s one of my goals, and a short-term one at that," Mbappe said. "People say ​I didn’t win a trophy (for club or country), but it’s an individual award. I’ve never ⁠seen a Ballon d’Or winner elected unanimously."Has anyone ever won with 100% of the vote? That means there’s always ​someone who thought the winner didn’t deserve it."Mbappe scored 15 goals in the Champions League and 25 in LaLiga before ​taking his World Cup tally to 22, becoming the competition's all-time leading scorer, although France's campaign ended in a 2-0 semi-final defeat by Spain."My idea of the Ballon d’Or comes from the Messi and Ronaldo era - you don’t give it to ordinary players, you give it ​to players who are different. I think I did things that were different this year, so I believe I ​can win it."Asked if he thought he would be a deserving winner, Mbappe was adamant."There was no player better than me. We ‌were talking ⁠about achievements. To score that many goals in the major competitions, where all the great players are, and of course at the World Cup, the biggest event, to become the competition’s all-time leading scorer - throughout my holidays, that was all people talked to me about," he said."It’s difficult to fully grasp what the World Cup means. It’s the competition of ​the great players, the stars, ​the greatest players in ⁠the history of the game. And to tell yourself that, at 27, I’m already the one who has scored the most goals…"And it’s even more special because you take the ​record from Leo Messi, who for many people is the greatest player in history ​alongside Cristiano (Ronaldo). It’s ⁠fantastic. That kind of achievement is different."The forward praised the appointment of 1998 World Cup winner Zidane, who succeeded Didier Deschamps as France's head coach."For French people, he means a great deal - he’s a legend, he’s the nation’s 'Zizou', he represents elegance, greatness. ⁠He ​made his mark on the history of the national team as a ​player and he had some truly iconic moments," Mbappe enthused."He’s perhaps the player who most embodies the France team. He’s one of those players who ​transcended generations. He left an indelible mark on the history of French football."-Reuters

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Zverev one win away from second major title

Zverev one win away from second major title

Alexander Zverev booked his place in the U.S. Open final on Friday, beating Karen Khachanov 6-3 7-6(7) 7-6(6) to ​move a step closer to a second Grand Slam title.The French ‌Open champion had been pushed to five sets in each of his opening two rounds but has now won four straight matches without dropping a set, as he reached his ​third consecutive major final.The victory also sends him to his second title ​decider at Flushing Meadows, after finishing runner-up in 2020 to Dominic ⁠Thiem."After the second round at 3am, me and my team were in ​the dressing room actually laughing at how bad I was playing. That sense of ​humour helped me," the 29-year-old Zverev said on court. "I have improved a little bit, otherwise I wouldn’t be in the U.S. Open final.Zverev struck first to take the opening set before ​carrying that momentum into the second with an early break.Khachanov, however, found his ​range and broke back, ending Zverev's run of 37 consecutive service games without being broken. ‌The ⁠unseeded Russian then threatened to swing the match in a gripping tiebreak.The German held his nerve to close it out after a 14-minute breaker, aided by Khachanov's errors at the crucial moments.The third set followed a similar pattern, with Khachanov taking ​a brief lead ​in the tiebreak ⁠before Zverev again fought back to seal his seventh win in 10 meetings against the Russian.Zverev, who now boasts a ​24-2 record in Grand Slam matches this season, will face ​the winner ⁠of the all-American semi-final between Frances Tiafoe and Ben Shelton in Sunday's title match."I can't wait for Sunday. It's going to be incredibly special, Francis and Ben are ⁠crowd ​favourites here in New York," Zverev said."Tonight is ​going to be an epic semi-final, I’m looking forward to watching it. Hopefully I can (stop) the American ​dream coming true."-Reuters

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American Shelton to face Zverev in US Open final

American Shelton to face Zverev in US Open final

Ben Shelton powered his way into the US Open final with an impressive four-set win over Frances Tiafoe in an epic all-American semi-final.Both players were bidding to reach their first Grand Slam final and put on a show for a raucous crowd on Arthur Ashe Stadium, with eighth seed Shelton coming from a set down to win 4-6 6-3 6-3 7-5.Neither American was overawed by the occasion and they lived up to their reputations as dazzling shot-makers but, after three hours and 17 minutes, it was Shelton who won through.The 23-year-old will face Alexander Zverev in Sunday's showpiece after the top seed beat unseeded Russian Karen Khachanov 6-3 7-6 (9-7) 7-6 (8-6) to reach a third Grand Slam final in a row and continue his bid for a second major of the year."Frances is like a big brother to me, every time that we get to take to this court together and play each other is super special," said Shelton, who also paid tribute to his late grandmother and those affected by the 9/11 attacks 25 years ago in his on-court interview."This is both of our favourite tournament, our favourite court in the world and to be able to light it up in front of you guys [the crowd] is the best feeling there is."After losing his previous two major semi-finals, Shelton can now look forward to his maiden final and will aim to end a 23-year wait for an American winner in the men's singles of a Grand Slam.Since Andy Roddick's triumph at Flushing Meadows in 2003 - 11 months after Shelton was born - an American man has only reached a Grand Slam final on six previous occasions, most recently Taylor Fritz two years ago in New York.To end the drought and emulate Roddick will require another first of Shelton as he has lost all five previous meetings with Zverev, but with the confidence gained from this run and the backing of a partisan crowd, there is a chance to make history."I'm going to need you guys on Sunday to bring the energy," Shelton added."I'm going to leave it all on the court and I hope you guys come and back me. Let's do this for the USA."How an all-American epic unfoldedIn the evening session, with a star-studded crowd watching on, it was over to Shelton and Tiafoe to provide the entertainment - and they did not disappoint.The pair combined for 74 winners, with 47 coming from the racquet of Shelton, who also sent down 20 aces as he backed up a stunning quarter-final win over Carlos Alcaraz with another memorable showing.He won 77% points behind his first serve, while successfully targeting the second serve of Tiafoe, winning 62% of points when he opponent failed to land a first serve.Shelton signalled his intent with an ace hammered down the T to start the match as the pair went at each other from the outset.While an early break-point chance passed Tiafoe by, the 11th seed continued to threaten the Shelton serve and, aided by a double fault, broke for 5-4 before serving out the set.Shelton wasted no time in mounting his comeback in the second, though, as he lasered a forehand down the line to break to love for a 2-0 lead.Although Tiafoe broke back immediately, Shelton remained in the ascendancy and the pressure told as he broke to lead 5-3 before seeing out the set.The third set included a number of scintillating rallies, Tiafoe coming out on top after 31 shots back and forth to stave off a break point - only for his opponent to hit a winner at the end of a 28-shot rally to break a couple of games later.Shelton broke again at the end of a gruelling 15-minute game to take a two-sets-to-one lead.The chance to regroup and take a breather between sets resulted in a refreshed Tiafoe mounting an early attack in the fourth, but he failed to convert two break points in the opening game, Shelton got his chance at 6-5 and brought up three match points.Shelton netted on the first of them, but that was the last shot he played as a Tiafoe double fault gave a thrilling contest a rather tame end.Zverev through to third Grand Slam final in a rowGermany's Zverev ended his long wait for a Grand Slam title with his French Open triumph in June and the 29-year-old reached the Wimbledon final in July, losing in four sets to world number one Jannik Sinner.With Sinner and defending US Open champion Alcaraz suffering with injuries this year, Zverev has found a consistency that has allowed him to reach all four Grand Slam semi-finals.He started off the tournament slowly, being taken to five sets in his opening two matches, but has not dropped a set since.Zverev faced brief moments of pressure against world number 50 Khachanov, saving two set points in the third set, but otherwise remained in control."After the second round, at about 3am I was sitting with my team in the locker room and we were laughing at how bad I was playing," Zverev said."That sense of humour helped me. I obviously have improved a bit otherwise I would not be in the US Open final."Zverev broke Khachanov to go 5-3 up before serving out the opener.Khachanov fought back after going a break down early in the second set and forced a tie-break, saving set point with a magnificent backhand to polish off a 22-shot rally.In a pivotal point of the match, it was Zverev who took the initiative to earn another set point, converting it as he outlasted Khachanov in a draining rally with some magnificent defence from the baseline.It was Khachanov who settled quickest in the third-set tie-break, creating two set points - both of which were saved by Zverev.From there the top seed never looked back, ultimately clinching victory as Khachanov put a forehand long.Zverev will play in his second US Open final six years after his first - a five-set defeat by Dominic Thiem in 2020.-BBC

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OpenAI AI agents linked to RubyGems cyberattack

OpenAI AI agents linked to RubyGems cyberattack

AI agents being tested by OpenAI attacked software service ‌RubyGems two months before they hacked open-source platform Hugging Face, researchers said, the latest revelation of cyberattacks linked to major AI developers that have spooked the public and spurred calls for tighter regulation.Many incidents where AI agents from developers such as OpenAI and rival Anthropic have hacked or attempted to access external systems have heightened concerns over ​the increasing capacity of AI models and developers' ability to contain them.The latest revelation also comes as growing numbers of U.S. lawmakers ​call for new rules to govern AI systems after dire warnings from two Anthropic researchers that rapidly progressing AI ⁠could lead to the extinction of the human race in the not-too-distant future.AI agents uploaded hundreds of malicious packages to RubyGems on May 11, ​according to a group of researchers who posted their findings online on Friday, saying they believed "these were authored by internal OpenAI agents."OpenAI confirmed the incident."Based ​on our review, our agents used the RubyGems platform to access the internet to carry out benign tasks and retrieve public information. We'll continue to investigate as part of our broader review of agent activity during training and evaluation," an OpenAI spokesperson said in a statement.The agents, which are generally tasked with assignments such as creating reports ​or filling out spreadsheets, appear to have used RubyGems to access publicly available data as part of a training run, OpenAI said, adding ​that they are in touch with RubyGems to review the incident.LATEST REVELATION OF ATTACKS BY AI AGENTSIPO-bound rival Anthropic has also reported a string of attacks by its ‌agents. On ⁠Wednesday, it disclosed a fourth instance of an AI model hacking external systems during testing.For OpenAI, which is also gearing up for an IPO, the RubyGems attack would mark at least the third major instance where its agents attacked another company's infrastructure.A swarm of OpenAI agents previously hijacked a German-language wiki site and turned it into an improvised messaging platform for cheating on tests, an incident that OpenAI kept secret as it dealt with the fallout ​from the July hack of the ​open-source repository Hugging Face.The AI agents in ⁠May tried to steal RubyGems user credentials by exploiting a previously unknown vulnerability in the site's servers, though it is unclear whether the attempt succeeded, the researchers said on Friday.The agents also exploited RubyDoc.info, a site that ​generates code documentation, to run their own code on its servers, they said.AI researchers Spencer Kitts, Thomas ​Larsen and Sydney Von ⁠Arx said it was not clear why the AI agents chose this strategy or whether it was successful as they do not have access to the rest of the AI behavior.In a blog post on Friday, RubyGems said its own investigation found no evidence the attempts succeeded. It said the company could ⁠not determine ​if the packages in the "spam-publishing campaign" were created or published by AI agents.A member ​of RubyGems' security team in May described the incident — which forced the company to temporarily pause new account registrations — as a "major malicious attack."-Reuters

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Boeing and engineers' union reach tentative contract agreement

Boeing and engineers' union reach tentative contract agreement

Boeing and its engineering union reached a ‌tentative contract agreement on Friday, union officials said.The four-year offer includes higher general wage increases than the first offer, which members of the Society of Professional Engineering Employees in Aerospace (SPEEA) overwhelmingly rejected in an August 21 vote.If approved, ​the roughly 17,000 members of SPEEA's professional and technical units would get a 10% wage ​raise on October 16, followed by 4% raises plus merit-based increases in 2027 ⁠through 2030."Our final contract offer addresses the top priorities identified by our employees and SPEEA’s bargaining ​teams, including an immediate wage increase and larger wage pools with guarantees," Boeing's Ben Nimmergut, vice president ​and functional chief engineer for production engineering, said in a statement.The latest offer includes changes to work-from-home policies and overtime limits for professional unit members, according to the union.After rejecting Boeing's first offer, SPEEA members said in an ​internal survey that their top priority was getting higher general wage increases.“We heard you clearly, in ​your survey responses and comments at Town Hall meetings. We took your words with us back to the table, ‌and ⁠they shaped every conversation we had with Boeing executives," SPEEA's negotiating team said in a statement.The tentative deal "isn’t everything we’d asked for, but it represents a real step forward toward improving our pay and work lives and rebuilding the relationship between Boeing leadership and our union’s members," the team said.The ​current contract expires October 6. ​If a deal is ⁠not finalized by then, SPEEA members can go on strike.SPEEA members are critical to Boeing's efforts to certify its 737 MAX 10 and 777-9 ​jets, both of which are years behind schedule.The previous offer had 3% general ​wage increases. ⁠Several SPEEA members told Reuters that would nearly guarantee their salaries fall behind inflation.The Consumer Price Index, an inflation benchmark, rose 4.5% over the past year, opens new tab for the Seattle area, where most SPEEA members work, the ⁠U.S. ​Bureau of Labor Statistics reported in July.SPEEA has not negotiated ​a new contract for its Northwest members with the company since 2012. Members approved contract extensions in 2016 and 2020.-Reuters

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Nvidia in talks to invest in Anthropic’s mega IPO

Nvidia in talks to invest in Anthropic’s mega IPO

Anthropic is in talks to ​bring Nvidia as an anchor investor into what could be the largest IPO in history, two people familiar with the ‌matter told Reuters.Anthropic is seeking to raise as much as $100 billion that could value the artificial intelligence startup at around $2 trillion, the people said. Nvidia is considering investing up to $10 billion in the IPO, one of the sources added. The plans remain under discussion and could change, they cautioned, requesting anonymity because the discussions are confidential.Nvidia’s potential involvement ​in the IPO, which has not previously been reported, would give Anthropic an early strategic backer for the outsized offering, while further deepening ties ​between the chipmaker and one of its major customers. Bringing a deep-pocketed anchor investor like Nvidia onboard could boost ⁠investor confidence in the listing, which is shaping up to be a major test of public-market appetite for the enormous valuations and capital requirements ​of frontier AI labs.Anthropic declined to comment. Nvidia did not immediately respond to a request for comment.Anchor investors are typically institutional investors that commit to ​buy a set portion of an IPO before it is marketed more broadly, providing an early vote of confidence in the shares. It is increasingly common for mega IPOs to line up early institutional commitments, given the large amounts they seek to raise. Chip designer Arm’s anchor investors included Nvidia and Amazon, while Saudi Arabia’s PIF was among ​SpaceX’s anchor investors.The deepened relationship highlights the complex ties between AI model developers and the companies supplying the enormous amounts of computing power they ​require. Anthropic relies heavily on Nvidia GPUs, while also seeking to diversify its chip suppliers as demand for Claude has strained its available computing capacity.In November 2025, Nvidia said ‌it would invest ⁠up to $10 billion in the AI startup as part of a broader partnership under which Anthropic committed to buy $30 billion of Microsoft Azure computing capacity powered by Nvidia chips.Anthropic already counts the biggest tech companies in the world as backers. These include Amazon and Google, who are also its major compute suppliers. In April, Anthropic said it would commit more than $100 billion over a decade to Amazon’s AWS, while using more than 1 million of Amazon’s ​Trainium2 chips. It has also agreed ​with Google and Broadcom to ⁠add multiple gigawatts of TPU capacity.The company has been trying to access more compute as its revenue has surged. It is also working to gain greater control over its hardware costs by forming an in-house team to design custom ​chips tailored to Claude.The listing, which is expected to complete before the U.S. midterm elections in November, would mark ​another jump in ⁠Anthropic’s valuation. The Claude maker raised $65 billion in May at a post-money valuation of $965 billion. Its annualized revenue run rate had climbed above $65 billion by the end of July, from about $9 billion at the end of 2025, according to the company. The potential valuation also hinges in part on company projections of roughly $190 ⁠billion to $200 ​billion in revenue in 2028, Reuters previously reported.The expected Anthropic IPO added to a string of ​blockbuster listings that has propelled the U.S. IPO market toward a record year, following Elon Musk's SpaceX's debut in June.-Reuters

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Trump open to China building cars in US

Trump open to China building cars in US

President Donald Trump said on Friday he would not oppose Chinese automakers building ​cars in the United States despite widespread opposition from U.S. lawmakers ‌and car companies."If China wanted to come in and open a plant to build their cars here, I'd be okay with that," Trump said in an interview on the Fox ​News program "The Ingraham Angle.""Japan does it, but they hire our people. The ​big thing is they hire our people," he said.He added that ⁠he does not want Chinese automakers to build cars in Mexico and ship ​them to the United States. "I'm not knocking Chinese cars," Trump said.U.S. automakers have ​urged Trump, who is due to meet Chinese President Xi Jinping in Washington in two weeks, not to agree to allow Chinese automakers access to the U.S. market.On Wednesday, U.S. Senator ​Elissa Slotkin, a Michigan Democrat, said there were "rumors that Trump is planning ​to allow Chinese cars to be sold in the U.S., as part of a larger deal ‌he’s ⁠putting together. That would be a strategic mistake."Trump called Slotkin's statement a "total phony rumor" and said he had kept Chinese vehicles out of the United States.A regulation imposed by former President Joe Biden's administration in early 2025 effectively bans all ​Chinese automakers from ​selling or building ⁠passenger vehicles in the U.S. Washington also maintains more than 100% tariffs on Chinese electric vehicles.Last week, a group representing ​nearly all major automakers urged Congress to quickly pass legislation ​permanently barring ⁠Chinese vehicles from the U.S. market.The Alliance for Automotive Innovation, which represents General Motors, Ford , Toyota, Volkswagen, Hyundai, Honda, Stellantis and others, called for passage of the ⁠bill by ​the end of December."Right now, Chinese automakers are ​dumping subsidized vehicles with connected software and hardware around the world," the group's CEO, John Bozzella, ​said in a letter to congressional leaders.-Reuters

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Gary Oldman says HBO’s ‘Harry Potter’ will be more satisfying

Gary Oldman says HBO’s ‘Harry Potter’ will be more satisfying

Gary Oldman, who played Sirius Black in four “Harry Potter” movies, said he believes HBO’s forthcoming TV series adaptation set in the Wizarding World will be a bigger crowd-pleaser than the Warner Bros. films.That’s because the movies were significantly abridged from J.K. Rowling’s original books, whereas HBO’s “Harry Potter” is including far more of the source material, the British actor said in a recent interview with EW.“We had to cut a lot [for the ‘Harry Potter’ movies], and still we could only get the films down to, like, three hours,” Oldman said, adding that “a lot of character detail was sacrificed” in the process. “I believe [the HBO series is] gonna do it pretty much word-for-word, which I think, as a viewer, would be more satisfying.”Oldman has previously opined that Sirius Black, a character he loves, did not get enough screen time in the movies. “He wasn’t in it enough. He turned up and then he went through the veil,” Oldman told IndieWire in 2024. Oldman’s Black first appeared in 2004’s “Harry Potter and the Prisoner of Azkaban,” but he had only cameos in “Goblet of Fire” and “Deathly Hallows Part 2″ and a brief appearance in “Order of the Phoenix” before his character is killed off.That said, Oldman told EW he is “proud” and “grateful” to have been part of the “Harry Potter” films “because it is such a phenomenon, the like of which I don’t think you’re ever gonna see again.”“When you think of that initial cast, someone in the story who doesn’t get a lot of credit anymore is [director] Chris Columbus, who set the world up and cast it,” he said. “We were extraordinarily lucky to have those people come back again, and again, and again, and literally grow into those roles.”Oldman will next appear in Season 6 of Apple TV’s “Slow Horses,” which premieres Sept. 16.Season 1 of HBO’s “Harry Potter” TV show has wrapped and will premiere on HBO and HBO Max on Dec. 25. The second season, which will be based on the second book in Rowling’s beloved fantasy series, is currently in pre-production at Leavesden Studios outside London.HBO has not announced casting for the role of Sirius Black in the series to this point. The cast of HBO’s “Harry Potter” series includes Dominic McLaughlin in the title role alongside Arabella Stanton as Hermione Granger and Alastair Stout as Ron Weasley; John Lithgow as Albus Dumbledore; Janet McTeer as Minerva McGonagall; Paapa Essiedu as Severus Snape; Nick Frost as Rubeus Hagrid; Rory Wilmot as Neville Longbottom; and Lox Pratt as Draco Malfoy.Meanwhile, Oldman once said that his performance as Sirius Black in the movies was “mediocre,” but he later clarified that he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.”“What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he told Variety in 2024. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me. If I watched a performance of myself and thought, ‘My God, I’m fantastic in this,’ that would be a sad day.”-Variety

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‘Le Faux Soir’ brings wartime press resistance to the screen

‘Le Faux Soir’ brings wartime press resistance to the screen

“Le Faux Soir” sources its high concept — hijacking state media propaganda’s fake news to tell the truth — from Second World War history. In 1943, disgruntled anarchist and poet Marc Aubrion (Arieh Worthalter) is recruited by the Belgian Resistance, which publishes its own underground newspaper. Marc’s brainwave is to reach outside the bubble of their already-captured readership by printing a fake edition of “Le Soir” — a once-venerable newspaper publishing Nazi propaganda under direct Gestapo supervision — to reach citizens the Resistance otherwise never would. A stolid two-plus hours directed with some surface frills by Michaël R. Roskam (“Bullhead,” “The Drop”), “Le Faux Soir” will appeal to elderly audiences hungry for low-impact prestige period fare with a reassuring message.Looking like Jon Hamm in full “Mad Men” hangover mode, Worthalter draws on the surly, unceasingly confrontational energy he brought to 2023’s “The Goldman Case,” once again an outraged citizen revolting against an unjust state. Under the Gestapo’s occupying eye, Worthalter has limited his protest activities to writing scatalogically insulting poetry against them, then distributing it surreptitiously by tucking it into randomly pulled volumes from library stacks. His clumsily administered provocations draw the attention of a more organized Resistance coalition, who want to make use not of his poetry but his skills as a printer.Marc’s idea of hijacking official media — not in service of organized theft but for a demonstration of the power of the press — kickstarts a familiarly structured heist drama. “The Nazis call these weapons of war,” printer Wellner (François Damiens) solemnly intones when showing off his roller presses, a piece of dialogue iterated three times lest anyone miss the point. Admittedly, the emphasis on that power isn’t just metaphorical but quite literal, with the film indulging a novel fetishism of both the technical aspects of printing — with much focus on obtaining linotypes, montages of type being set, scenes of pages being brushed against blocks of type, and so on — as well as the administrative side of newspaper publishing, with extended discussion of the circulation, distribution and storage logistics of what’s effectively a one-off issue. Anyone who’s worked in print media may feel unexpectedly pandered to (or like their grave is being walked over).This recurring emphasis on logistics, however gratifying it may be to a shrinking and specialized viewership, isn’t particularly riveting. As onscreen title cards count down the 22 days to the big operation, Roskam tries to add additional verve to the proceedings with zooms, tracking shots, the occasional rolling timpani of Christophe Chassol’s loudly deployed score (which sometimes cutely syncs up with blocks of type being hammered), and even a “Reservoir Dogs”-style shot of four men walking out of a building in slow motion. But at 133 minutes, the film is supremely attenuated, each hurdle registering less as an exciting kink in a heist gaining momentum and more as a series of problem-solving administrative meetings. Admittedly, that’s a workable understanding of publishing, but it still doesn’t make for high drama, and the pace never quickens.The film’s belief that truth will convert people if only it can reach them (surprisingly akin to “Disclosure Day”) is meant to be comforting. Clearly, there’s a metaphorical suggestion from the past to draw upon: instead of staying within liberal echo chambers, journalists who value truth must think unorthodoxly about audience outreach and targeting to recapture the attention of a misled populace. This is an inadvertently ironic message to place within a prestige period piece that, however jazzed-up on the margins, targets elderly, nostalgic audiences who value the importance of a good, firm handshake as much as these characters do.Regardless, the suggestion rings false. Consumers have chosen their ideological siloes, and penetrating them is a conundrum that can’t be solved by bromides about the power of the press. It’s also a message that’s complicated, if not undermined, by the real-life, present-day “Le Soir” serving as one of the film’s production companies. No matter how blameless or hands-off their involvement might have been, it unavoidably renders the film self-burnishing sponsored content.-Variety

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Sandra Bullock reveals why she quit rom-coms

Sandra Bullock reveals why she quit rom-coms

Sandra Bullock joined her friend and fellow actor Jennifer Aniston for a chat as part of the “Practical Magic 2” star’s Interview magazine cover and revealed that she made the intentional decision to step away from the romantic comedy genre in the mid-2000s because “I was getting so much shit for them.”Aniston asked Bullock if there was ever a moment where she “made a deliberate choice about the kind of career [she] wanted,” to which the Oscar winner cited two examples. The first was before she a working actor: “I was in New York, I was a waitress, I was auditioning for every pervert that existed asking me to drop my pants. I was like, ‘Nope, not the role for me.’ I was working my way up. Every working actor thinks you will never work again so you just take what you can get and make the most of it.”The second was when Bullock was already a box office star: “The only time I was intentional about my career was when I said, ‘I need to stop right now with the rom-coms,’ because I was getting so much shit for them. And I took a role in this film called ‘Crash‘… I wanted to start flexing other muscles.”Bullock was a rom-com regular for much of her early career with hits like “While You Were Sleeping” (1995) and “Two Weeks Notice” (2002) and other offerings such as “Two If by Sea” (1996) and “Forces of Nature” (1999). She’d continue to flex her genre muscles in star vehicles like the 1998 romance “Hope Floats” and 2000’s blockbuster comedy “Miss Congeniality.” But after 2002’s “Two Weeks Notice” with Hugh Grant became a hit, Bullock stepped away for two years and returned with a dramatic role in “Crash.” Now her fans know this was a deliberate choice on Bullock’s part.“It’s a very risky feeling to say, ‘I’m going to drop what feels like my comfort zone, which is comedies, and let’s see if they’ll take me seriously in the dramatic world,'” Aniston told Bullock. “The industry tends to pooh-pooh comedies, but they’re not as easy as they look.”“Now more than ever, I miss that. I want to do nothing but that now,” Bullock responded.Bullock isn’t the only rom-com icon to walk away from the genre amid fame and box office glory. Matthew McConaughey also made the deliberate choice to stop acting in rom-coms and even left Hollywood and moved his family in Texas to distance himself from the box Hollywood was trying to keep him in. He even turned down a $14 million offer to return to the genre.As for Bullock’s decision to temporarily ditch the rom-com genre in favor of dramatic work, it ultimately paid off with “Crash.” The movie won her the Screen Actors Guild award for outstanding ensemble in a motion picture, and the movie went on to win the Oscar for best picture. Bullock would return to rom-coms in 2009 with “The Proposal,” one of her biggest hits, and “All About Steve,” which won her the Razzie for worst actress. But that year also included the release of “The Blind Side,” which won her the Oscar for best actress. Bullock’s most recent rom-com was 2022’s “The Lost City” with Channing Tatum, which was a post-pandemic box office hit with $192 million worldwide.-Variety

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Lee Sung Jin honoured at Gold House’s Emmy celebration

Lee Sung Jin honoured at Gold House’s Emmy celebration

Gold House celebrated its third annual One House Toast to the Emmys, honoring the achievements of Asian Pacific and multicultural creatives in entertainment.The man of the hour was “Beef” showrunner Lee Sung Jin, whose genre-bending Netflix anthology earned 16 nominations for its second season — the most of any limited or anthology series this year.So far, the show has won three that were handed out during the Creative Arts Emmys. The major recognition also made Lee the first Asian television creator to receive multiple nominations in writing, directing and producing for the same series — twice.Before Lee took to the stage, Gold House co-founder Bing Chen praised the creator. He said, “In a world where a lot of the whistleblowers from our AI overlords are now saying we only have three more years to exist, I’m now reminded that it takes multi-hyphenate, undefinable art like ‘Beef’ Season 1 and 2 to remind us of not only our humanity but our only actual defendable asset, which is actually our flaws — and therefore our right to exist,” said Chen. He continued, “I’m also reminded of platforms where so many people that we don’t even know, try to flatten us into one thing and how the only way back is to be a polymathical, multiskilled creator who is not just a writer, who is not just a producer, who is not just a director, but does it all. Lee Sung Jin is the personification of taking life’s broken hearts and turning them into art. That is the reason why you get to be here, and it is the reason why you get to stay.”When Lee took the stage, he praised Chen and reflected on Gold House’s impact on him and the journey of “Beef.” Sharing a personal anecdote, Lee revealed he had first seen the show’s star Charles Melton in “May December,” and was blown away by his performance.“I wanted to attach him to Season 2. And Bing was, of course, throwing his usual celebratory dinners for ‘May December.'” Lee shared how he had sent a text to Chen asking if he could sit next to the actor to pitch him for Season 2. “He was like, ‘I got Chloe Zhao next to him.’ So I sat next to Chloe Zhao, and then I pitched Charles. By the third appetizer he had said yes.”Lee also praised Seoyeon Jang, who plays Eunice in the series. The actress was in attendance. Speaking directly to her, Lee told the crowd that she was cast off a self-tape and the scene he had worked on with her was an interaction between her character and Melton. In the scene, Melton is pretending to be a physical therapist and stretches Eunice. Lee said, “I got busy with prep and writing and I didn’t really think about just keeping in touch with her. It was not until I was shot listing, a month before we were supposed to shoot where I was thought, ‘ I wonder how flexible she is. Is this going to really affect her coverage?”Lee revealed he eventually called Jang to ask about her flexibility. She responded, “I hired a stretching coach and I’ve been stretching for three months straight.” Lee joked, “That’s why we were able to do that scene in one shot without any cuts.”Also in attendance were “The Pitt” writer and producer Simran Baldwan, “The Pitt” star and Emmy nominee Sepideh Moafi, “Forgotten Island” star Dolly de Leon, Brandon Perea (“Insidious: Out of the Further”) and more.The One House Toast is a continuation of Gold House’s mission to reshape Asian Pacific and multicultural representation in front of and behind the camera. In the past year, Gold House has provided industry-defining research, cultural consultation, investments and marketing films and TV.Among the partners for the evening were Chase Sapphire Reserve for Business, Genesis Motor America, Asian entertainment streamer Viki and WME.-Variety

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No, Tom Cruise’s ‘Digger’ isn’t a musical

No, Tom Cruise’s ‘Digger’ isn’t a musical

Internet sleuths were convinced this week that Tom Cruise’s upcoming movie “Digger” is a secret musical, but unfortunately that isn’t the case.Variety spoke with two sources familiar with the production, who said “Digger” is not a movie musical, but both were amused by the sleuthing.The rumor started online after the film’s final trailer was released, and in certain shots it looked like Cruise — wearing nearly unrecognizable makeup and prosthetics for the role — was on a rotating platform often used in stage productions. In other shots, background actors appeared to have their mouths open while singing. The theory quickly spread on social media.“My favorite conspiracy theory right now is that Digger is secretly a musical and they’re desperately trying to hide it in the marketing,” author Jason Pargin wrote on X on Sept. 10.“Digger” has not been widely screened for press yet, and is set to be released on Oct. 2.Cruise said he first latched on to the project when director Alejandro G. Iñárritu read him the script aloud over several days.“I’ve always done that,” Cruise said in an interview with Empire. “I want the writer to read me his idea, because then I can see where we’re going. We’re exploring rhythms, and I’m feeling the world. I’m literally an audience. I want to hear his voice. I want to understand, and see the world the way he sees it.”Besides Cruise, the starry cast of “Digger” includes Riz Ahmed, John Goodman, Sandra Hüller, Michael Stuhlbarg and Jesse Plemons. Iñárritu wrote the script alongside Alexander Dinelaris, Nicolás Giacobone and Sabina Berman, from a story by Jez Butterworth, Berman and Iñárritu.-Variety

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Sebastian Stan opens up about long-awaited Romanian role

Sebastian Stan opens up about long-awaited Romanian role

Sebastian Stan has been running around the city of Toronto.We’re sitting in a restaurant, having lunch between his multiple studio visits for various publications. It’s busy and bustling around us, the way TIFF tends to transform every hotel and restaurant over its 11-day period. Stan settles in at the table and digs into a chicken salad. He’s here to talk with Variety about the movie he says he’s been chasing, in one form or another, since he was a teenager.“Fjord” is the film Stan long promised himself he would make: a return, however partial, to the country he left as a boy and the language he grew up speaking.Directed by Romanian auteur Cristian Mungiu — a filmmaker Stan says he had tracked for years — it is Mungiu’s first English-language feature and Stan’s first Romanian-language role, a project the two circled for a long time before the right script surfaced. Stan plays Mihai, a fundamentalist father whose children are seized by the state, in a story inspired by a real family and shot in Mungiu’s signature register of long, unbroken takes and a pointed refusal of the close-up.Coming off an Oscar nomination for the drama “The Apprentice” in 2024, the same year he won a Golden Globe for lead actor (comedy) for another movie, “A Different Man,” Stan sees clearly what he’s after and why. He’s a dad now. He has entered his 40s and it has changed him. “How do I raise kids in today’s world?” he asks, flipping the entire interview into a conversation as we eat and drink at the table. “And how do I not pass on something I’m myself trying to work through?”Stan has become the rare Marvel actor with a foot in the DC world, too. He met “The Batman” filmmaker Matt Reeves, who he said had seen and loved “The Apprentice” and around the same time cold-called DC Studios co-CEO James Gunn to let him know he was available and, in his words, “ready to rock” when the opportunity presented itself. Of course, he won’t confirm his role and the light visibly goes out of his face when the name Harvey Dent, whom he is rumored to be playing, comes up. But he does not undersell what Reeves is building. “I go to set sometimes and I look around and I’m like, I think we’re making fucking ‘Godfather Part Two,’” Stan says of the movie, which he says Reeves has spent three years shaping. “I really don’t want to raise it up, but I do feel like it’s going to be a payoff.”He calls himself “allergic” to repeating himself and worries that actors have grown too overexposed to disappear into anything. “We’re not doctors, we’re not on the front lines,” he says of why the subject has to matter. “This is the only way we get to communicate.”“Fjord,” whose reactions on social media have included people branding it “a MAGA movie,” Stan says, has been labeled that by “people who never see it.” He’s hoping this divided country can still sit together in one theater. Whether audiences take him up on it is another question entirely.-Variety

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Woody Norman reveals painful crown ordeal on ‘The Uprising’

Woody Norman reveals painful crown ordeal on ‘The Uprising’

Filming “The Uprising” gave British actor Woody Norman, who plays 14-year-old King Richard II in the historical fiction drama, a massive headache.It turns out the only crown they had for him to use during the shoot got damaged the first day of filming. “So it didn’t fit my head,” Norman, 17, tells me over Zoom from a hotel room in Los Angeles just a few hours before the movie’s premiere at the DGA in West Hollywood. “I would leave every day with a splitting headache because it was bent. We had put foam in it, but it didn’t work. It was steel against my head.”“The Uprising,” written and directed by Paul Greengrass, is based on the real-life Peasants’ Revolt of 1381 England. Andrew Garfield toplines the film as a fictional farmer — known only as Ploughman — who sparks and helps lead thousands of commoners on a march to protest the king in London.In addition to the dented crown, Norman had to endure the royal wardrobe, including “really heavy” robes. “I don’t weigh much,” he tells me later on the red carpet at the premiere. “I weigh 46 kilograms [about 101 pounds] and they weigh as much as I do, so it was really really painful.”Even so, it’s fun to be king. “It’s a power trip,” Norman says. “All of the supporting actors would go, ‘Your highness,’ and they would bow to me when I walked by. That really got to my head because they would do it every day.”Norman’s first day shooting with Garfield was a pivotal fight scene between Ploughman and the king. “I was very intimidated,” Norman says. “It’s Andrew Garfield, you know that’s big. He immediately went, ‘I love you, and come on, come on!’ I was like, ‘OK, we’re both actors. We can do this.’ It completely removed that sense of awe and made us both professionals. We’re here to do a job. Let’s do it together. I’m very, very grateful for that.”The scene involved Ploughman shoving a paper scroll into the king’s mouth. “I have an Invisalign wire in my teeth,” Norman says. “The paper was in my teeth until after we wrapped. It was cool to rub my tongue on my teeth and go, ‘Oh, the uprising.’”Norman first gained attention when he was just 10 years old and starred opposite Joaquin Phoenix in the 2021 Mike Mills drama “C’mon C’mon.” “One of the great men on the planet is Joaquin,” Norman says. “I don’t know if I would still be acting if I didn’t work with him.”He continues, “I didn’t really understand what I was. I didn’t know I was an actor. I didn’t know this was a job. I was having fun, and then he made me realize that it doesn’t have to be a job. It’s a way of living. It’s a way of creating, and you know, now after working with Joaquin, I’m fully vegan because of course I am.”Norman laughs.“There was an interaction we had where I was eating meat and he was like, ‘Why don’t you just stop eating meat?’” he remembers. “And then I said, ‘Why don’t you stop smoking?’ He’s still smoking, so he hasn’t kept up his bit.”Up next? Variety’s Leo Barraclough exclusively reported that Norman will star in the British urban horror thriller “Skag & Bone” along with Malachi Kirby, Tuppence Middleton, Conrad Khan and Kola Bokinni.-Variety

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Lil Durk acquitted in 2022 murder-for-hire case

Lil Durk acquitted in 2022 murder-for-hire case

A Los Angeles federal jury on Friday found Grammy-winning rapper Lil Durk not guilty of murder-for-hire, conspiracy and stalking resulting in death charges in the 2022 killing of rapper Quando Rondo’s cousin, according to the Los Angeles Times.Prosecutors alleged that rapper (real name: Durk Banks) directed hit men to target rapper Quando Rondo, born Tyquian Bowman, for revenge after the death of his friend Dayvon Bennett, a.k.a. the rapper King Von. However, prosecutors claimed, the gunmen fatally shot Bowman’s cousin Saviay’a Robinson at the crowded Los Angeles shopping mall the Beverly Center. Prosecutors said three gunmen fired 18 rounds at the vehicle in which Bowman and Robinson were riding.Deandre Wilson and David Lindsey, who prosecutors claimed was one of the gunmen, were also on trial and were convicted on the charges of conspiracy to commit stalking, stalking using a dangerous weapon and stalking resulting in death, but were acquitted on the murder-for-hire charges. Wilson’s attorney had claimed that he was just a “passenger” during the murder.One prosecutor, Assistant U.S. Attorney Ian Yanniello, said, “No one is saying he was the one on the ground with a gun in his hand in Los Angeles, but you know this story doesn’t happen without him, and it doesn’t make sense without his leadership,” adding that Durk “used his money, his power, and his influence to try to kill his biggest opp.”The prosecution relied largely on testimony from three cooperating witnesses: Kacey Hester — also known as OTF Jam — and Keith Jones, as well as Durk’s former assistant Kavon Grant.Defense attorney Brian Steel described the three as unreliable “snitches, cooperators, rats” hoping to receive lighter sentences.“[Grant] has manipulated the people in this case, he has manipulated the FBI, the LAPD, and respectfully, has been manipulating the members of the U.S. Attorney’s Office,” said another defense attory, Drew Findling. “Well, folks, it is time for you to say … ‘He will not manipulate us.’”Durk, 32, is a key figurehead in the Chicago drill music scene, which has spawned numerous rap stars including Chief Keef, Lil Reese and G Herbo. His past five solo albums debuted in the top five on the Billboard 200, and his 2023 single “All My Life” featuring J. Cole hit No. 2 on the Hot 100. Earlier this year, that song won a Grammy for best melodic rap performance.The incident that allegedly spurred the shooting took place in Atlanta in 2020, after Bennett scuffled with Bowman outside a hookah lounge and was fatally shot by someone in Bowman’s entourage.The trial was a media circus, with crowds of fans and tourists surround the courthouse and celebrities including Kanye West and the rapper MGK turning up to support Durk.-Variety

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